Modern Chinese history told from a Buddhist perspective restores the vibrant, creative role of religion in postimperial China. It shows how urban Buddhist elites jockeyed for cultural dominance in the early Republican era, how Buddhist intellectuals reckoned with science, and how Buddhist media contributed to modern print cultures. It recognizes the political importance of sacr...(展开全部)

"Sainthood" has been, and remains, a contested category in China, given the commitment of China's modern leadership to secularization, modernization, and revolution, and the discomfort of China's elite with matters concerning religion. However, sainted religious leaders have succeeded in rebuilding old institutions and creating new ones despite the Chinese government's censure....(展开全部)

Wing-tsit Chan was a Chinese scholar and professor best known for his studies of Chinese philosophy and his translations of Chinese philosophical texts. Chan was born in China in 1901 and went to the United States in 1924, earning a Ph.D. from Harvard University in 1929.

In this original and readable book, Charles Stafford describes the Chinese fascination with separation and reunion. Drawing on his field studies in Taiwan and mainland China, he gives a vivid account of raucous festivals of reunion, elaborate rituals for the sending-off of gods (and daughters), poetic moments of leave-takings between friends, and bitter political rhetoric about...(展开全部)

Vincent Goossaert is deputy director of the Groupe Sociétés, Religions, Laïcités at the Centre national de la recherche scientifique, Paris. He is the author of The Taoists of Peking, 1800–1949: A Social History of Urban Clerics, among other books. David A. Palmer is associate professor of anthropology at the University of Hong Kong. He is the author of Qigong Fever: Body, Scie...(展开全部)

In this original and readable book, Charles Stafford describes the Chinese fascination with separation and reunion. Drawing on his field studies in Taiwan and mainland China, he gives a vivid account of raucous festivals of reunion, elaborate rituals for the sending-off of gods (and daughters), poetic moments of leave-takings between friends, and bitter political rhetoric about...(展开全部)

Pictures and Visuality in Early Modern China is not simply a survey of sixteenth-century images, but rather, a thorough and thoughtful examination of visual culture in China's Ming Dynasty, one that considers images wherever they appeared—not only paintings, but also illustrated books, maps, ceramic bowls, lacquered boxes, painted fans, and even clothing and tomb pictures. Clun...(展开全部)

During China’s transition from dynastic empire to nation-state, the crowd emerged as a salient trope. Intellectuals across the ideological spectrum have used the crowd trope to ruminate on questions of selfhood and nationhood, and to advance competing models of enlightenment and revolution. Revolutionary Waves analyzes the centrality of the crowd in the Chinese cultural and pol...(展开全部)